Category Archive: Reviews

The Internet – Purple Naked Ladies Review

The Internet is a vast virtual playground bulging with information and resources to help you with just about anything you have a query on, but as well as being a WAN (Wide Area Network), ‘The Internet’ is also the name of a sub group within the LA music collective that is Odd Future. The duo is made up of members Syd and Matt Martian (also of Jet Age of Tomorrow), with Matt handling the production while Syd steps out from behind the MacBook and replaces it with a mic to showcase her vocal abilities.

Purple Naked Ladies starts out with an instrumental to set the tone for the rest of the album, and ‘Violet Nude Women’ doesn’t disappoint, boasting an oriental vibe which starts off mild and quickly becomes more aggressive on the 4-bar switch. The next two tracks, ‘They Say’ & ‘She Dgaf’, further ease the listener into the experience, the former being a smoothly delivered song of empowerment and the latter almost being an ode to the odd future way of life, also probably my favourite track off the album.

The middle of the album keeps the same pace while attempting to build more of an atmosphere, the single ‘Cocaine’ ft. Left Brain has a catchy beat and sounds like something out of a Japanese RPG (a good thing by the way, they have great scores). Unfortunately, some songs seem to lose focus, ‘Gurl’ ft. Pyramid Vritra could do with less Pyramid and more ‘Gurl’.

Forunately, the album ends on a good note, ‘Fastlane’, ‘Visions’ and ‘The Garden’ are a perfect way to close out what is a solid and memorable album. I listened to this album while sippin’ on some tropical juice (I don’t drink or smoke) however, the melodies and the texture of Syd’s voice indicate that this album would be even more absorbing under the influence of *ahem* s u b s t a n c e s (say it slowly). Whether you like Odd Future or not, ‘Purple Naked Ladies’ is definitely worth the money.

4/5

#2011RapUp Biggest Hip-Hop Disappointments of 2011


With all the greatness that came with 2011, there was just as many disappointments. The Tapedeck crew list a few of our personal hip-hop disappointing moments after the jump.
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B.o.B. – E.P.I.C. Mixtape Review | DEHH/Immortal Technique – The Martyr Album Review

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B.o.B. released his latest mixtape, E.P.I.C. (Every Play Is Crucial), to hold fans over until he releases his latest album Strange Clouds. Dead End Hip Hop gives the mixtape a spin and give you our take on the Atlien’s latest effort. Let us know what you think. No Politics. No BS.

B.o.B up top, Immortal Tech review after the jump. It’s a DEHH review, i don’t have too stress why it’s a must watch.
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Phonte – Charity Starts At Home Album Review | DEHH

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Phonte dropped his highly anticipated and long overdue debut solo album last month. After enjoying great success with Foreign Exchange and Little Brother, Phonte has managed to make a mark for himself in hip hop. How would Phonte fair as a solo artist? Dead End Hip Hop takes a listen to Phonte Coleman’s first sole effort and breaks down the album for you. As always, No Politics. No BS. See you in the comment section!

@ELZHI – ELMATIC (REVIEW) via @_HipHopIsntDead

It was never an easy task for him to accomplish. Hell, it would never be easy for anyone to pull off. But, when Detroit’s celebrated lyricist, eLZhi, proposed his plot to interpet, innovate and re-imagine one of the greatest albums in Hip Hop’s young history, I, for one, breathed a sigh of relief-aboynamedandy

One of the best projects to drop this year gets reviewed by the homie aboynamedandy over @ hip-hop isn’t dead. Pretty nice read i must say, you can read the review in it’s entirety #HERE.

J.Cole-Cole World: The Sideline Story(Album Review)


J.Cole has slowly become one of the most prominent,world renowned hip-hop artist since coming out in 2007. Who would have thought after signing to Jay-z’s Roc Nation label, releasing 3 critically acclaimed mixtapes, and touring with superstar artist like Drake and Rihanna, that young Jermaine would unleash, one of the most anticipated albums of 2011. After all the blood, sweat, and tears does this album ascend J.Cole into hip-hop’s starting 5, or is he better suited cheering on the sideline.  
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Danny Brown – XXX (Album Review)

It’s been a while since an artist has come along and made me change how I listen to music. Listening to an MF DOOM album definitely opened up my ears to new ideas on how music should not only be created, but also received. Then comes The Hybrid, a free release by Detroit native Danny Brown.

I was in a bit of a rut, musically, when a friend of mine introduced me to Danny. I found myself constantly going back to the albums of my early teen years in search of some kind of sonic understanding, I felt out of touch with the same old tired concepts from both mainstream and underground artists alike. What Danny Brown achieved was a perfect blend of personality, skill, beats & entertainment. In an overflowing cess pit of mediocrity that is Hip Hop, The Hybrid was and still remains to be a vital breath of fresh air.

Understandably, when Danny Brown announced his next project ‘XXX’, the expectation levels were pretty high and I can tell you now, it does not disappoint. The opener and title track ‘XXX’ sets the mood perfectly with vivid rhymes upon a beat that I could only describe as sounding somewhere between a sci-fi fantasy and a murder scene (don’t think.. FEEL!). ‘Lie4′ and ‘Bruiser Brigade’ provided me with a pleasant surprise in the fact that they sound heavily Grime influenced. I’m from East London, so for the people who don’t know, ‘Grime’ is a genre of music we have over here, I knew Danny was a big Dizzee Rascal fan, but I didn’t think he had this type of material up his sleeve. He got it on the money, delivering a 2003-2006 underground Grime feel to both tracks, kudos.

‘Blunt after blunt’ sounds like The Hybrid’s ‘Great Granddad’ on.. well.. weed, while the Paul White produced ‘Adderall Admiral’ is a symphony enjoyed best while in a severe state of ‘unsoberness’ (I can say ‘unsoberness’ right?). The second half of the album slows the pace down, and this is where Danny is at his most introspective. Songs such as ‘Party all the time’ and my personal album favourite, the Quelle produced ‘EWNESW’, displays another side of the versatile MC, a side which is much more issue-related than funny, but just as impressive.

In order to fully appreciate this album, you have to listen.. then listen again.. then again, not because you have to study it, but because like The Hybrid, it holds so much replay value which is something that is becoming quite a rarity in Hip Hop.

Danny Brown will keep getting better, and his sound will expand even further. If he does indeed ‘Die Like a Rockstar’, I believe he will leave behind a similar legacy of music.

4.5/5

Big Sean: Finally Famous Album Review

‘’My crew is who I be widdidy wid it, rose I sippidy sip it, I’m Quagmire, I fuck hoes,  My cash flow, I giggidy get it’’

This is exactly the type of lyrics that has not only earned Big Sean a record deal and a mass following, but also criticism from Hip Hop purists.  Now, let’s be real, a Family Guy and alcohol reference isn’t going to push the boundaries of lyrical rap, but it’s damn hilarious. Finally Famous follows this formula for the most part, with Sean relying on his personality and light-hearted humour in order to get his point across. This is no bad thing however, Sean can spit and is good at communicating a message efficiently.

‘Don’t tell me you love me’, one of the standout tracks on the album, see’s Sean get serious. Starting with a somewhat clichéd piano reverb, an electric guitar comes in and the hard drums complete the steller production, with Sean giving his take on a relationship gone bad. Other standouts include the soulful ‘Celebrity’ and ‘So Much More’ with the latter sounding like an early Kanye record.

Now the missteps *Haters cheer*. I’m not a big fan of the lead single ‘My Last’ ft. Chris Brown, however I’ve learned to get over this in recent years, as most lead singles are promotion driven and are aimed at radio stations, big deal. Another one is ‘Dance (A$$)’ which is obviously aimed at the clubs and intoxicated scantily clad women, and therefore… wait, why don’t I like this song?

All in all, Big Sean did what Big Sean does, not take himself too seriously while also still relatable to your average youth. ‘Hip Hop Heads’ will probably find negatives in the subject matter and production (which include beats from No. ID, The Neptunes & Exile), However it is a solid debut album and shows promise of Big Sean’s future in the rap game.

3.5/5

Album Review: Bad Meets Evil’s “Hell the Sequel”

Hip-Hop has many legendary groups. Wu-Tang, Outkast, Black Star, the list goes on, but a duo that has the same potential, if not more comes in the form of two Detroit rappers, Eminem and Royce Da 5’9.

Both are currently huge in hip-hop, but back in 1998 they were just emerging artist trying to make a name for themselves, sometimes rapping together under the name Bad (Royce) Meets Evil (Eminem). After recording a slew of records that ended up on a unofficial mixtape, and of course a big stand out record on Eminem’s Slim Shady LP, true lyrical rap fans wanted a full length album from the pair. Unfortunately Royce and Eminem’s group D-12 got into a little beef in 2002 which single handily ended the group. That was obviously resolved and we fast forward to 2011, and the long awaited album is here. Question is was it worth the wait, or will the sequel not meet the hype.

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