
Oh noooo the dirty “M” word!!! I have an extreme dislike for the word “mixtape”. I consider mixtapes rapping over industry beats, and no matter how bad you kill an industry beat its a fail regardless. When I plan a project I plan it out as a whole body of work, and a feeling I want to give the listener-Xavi
Above is a portion of my interview with MC Xavi The Backpacker. We discussed his up & coming project ”Lessons In Self Defense”,Kung Fu movies,Making it into the Def Jam West office,and much much more. You can peep the entire interview after the jump.
As a bonus Xavi is giving you the first release off Lesson In Self Defense How I Kill Produced by Sinitus Tempo.
DOWNLOAD:Xavi-How I Kill(Prod By Sinitus Tempo)
Yoh: First off I wanna thank you for taking the time to do the interview with thetapedeck. For the readers unfamiliar with you and your music give us a little introduction.
Xavi:No problem man, thanks for the interest. As far as my music goes, it’s the scene in Lion King when Mufasa died mixed with Sweeney Todd. Lion King being the classic standard (true hip hop roots), and Sweeney Todd being my own unique twist to my approach. In essence, I rap about things relevant to life and the growth that occurs throughout. Music for the soul that lifts the people regardless if it makes me famous or not.
Yoh:Sounds pretty deep. Now do you go as just Xavi or Xavi the backpacker? And how long have you been pursing a career as a recording artist?

Xavi
Xavi:I go by Xavi The Backpacker artist wise. My music industry friends call me Xavi, and my personal friends/family call me Xavier. I’ve been writing music since fifteen or sixteen. You know, the normal freestyling at the lunch table while your homeboy bust a beat with a pen or his hands. However, life made me put that on the back burner for multiple years. Then in 2007 I joined the Air Force, and moved out to California where I met my old DJ. At the time I was more into DJ’ing than actually recording and making music. Then one day I ran across a beat, and it was one of those, “you got to rap over this” moments. I did, and a week later im sitting in Def Jam West offices. That was the first time I ever really considered myself good enough to make a living off of music. So in a nutshell I’ve been actively pursing this as a career for about two years now.
Yoh: You made it to the Def Jam West office off one song? Pretty amazing. Now you have a project coming up what can you tell us about it??
Xavi: Yeah it was an experience I’ll never forget, but at the end of the day they passed on working with me. So it’ll remain just an experience, and learning lesson. I have about 28082304 projects in works, but the first one released will be “Lessons In Self Defense”. Initially it was suppose to be exclusively produced by a producer named Onra. Dynamics changed, and inspiration came from multiple sources so I decided to include them all. The project will now feature production form Rufio, Lee Bannon, Onra, Sinitus Tempo, and possibly a few others. The project mapped out is 28-32 tracks long, but im thinking of chopping it in half. If I do so, i’ll make it a two part release. I know the attention span of the listener might wonder if I get crazy with the track list.

Xavi 2
Yoh:28-32 track mixtape!? God why so many? And when will we be getting Twisted Imagination anytime soon?
Xavi:Oh noooo the dirty “M” word!!! I have an extreme dislike for the word “mixtape”. I consider mixtapes rapping over industry beats, and no matter how bad you kill an industry beat its a fail regardless. When I plan a project I plan it out as a whole body of work, and a feeling I want to give the listener. So the 28-32 tracks you’ll hear will consist of transitional pieces, actual songs, multiple interludes, audio clips, and straight instrumentals. These are the things that separate artists from rappers, and mediocre projects from amazing ones. The whole project will play out about 50 minutes long. It sounds a lot more ambitious than it really is. As for Twisted Imagination, it was suppose to be my next release. Due to my 4 month stay in Dubai, and Jonathan Lowell’s computer issues we had to push the project back. However, it will definitely be my first release in 2012 once I return back to America. This is what i’ll consider my first album so it’s going to be a pretty big deal. I’m talking music videos by Creative Control, Kraeyshawn, and BB Gun (J Cole-Simba). Features by Casey Veggies, Planet Asia, Kendrick Lamar, and Maxine Ashley (StarTrak Artist). A lot of money, time, effort, and nights staying in will go into Twisted Imagination. I believe that will be the project that elevates me to National recognition. XXL 2013 Freshmen Top 10 or bust is the campaign for 2012.
Yoh:I like your thoughts on what makes a project. Now I got a double question. Why do you feel it’s important to aim to be XXL list? And looking at the line up that’s alot of feature of from artist that’s making big moves currently do you feel it’s to soon to pull them out for your first project?
Xavi:My mindset whenever I do something music related is “epic”. Sometimes it backfires, but 90% of the time it leads to better all around work when you plan it right. The XXL list ties into all that because it’s a form of National validation. With that National validation comes free promotion, tour offers, SXSW slots, sponsors, and label A&R’s blowing your phone up. Honestly though, I could give two shits about the XXL list in theory. It’s just a stepping stone towards making a living off what I love to do. More importantly, validating my skill set so that I can be in the position to make music with the people who inspire me. That’s also where my features for Twisted Imagination come in. I have high respect for those artists, but I also chose them because of the movement they have going on, and their status. These are people who have already made XXL Freshmen 10, have Source Magazine post, and National attention. Meaning there’s a high demand for new material from them. If I tie my name in with their high demand it leads to National exposure for me as well. Expensive game at times, but worth it in the end. I don’t really collab with local artists for MY projects too much. One, because I don’t feel like doing a song with any of them will do anything for me. Two, I don’t think any of them can keep up with me lyrically (besides Illecism), or are in the same music mind frame that i’m in. Sounds terrible, but I mean that as respectfully, and as humble as possible. So no I don’t think its too soon for those features for my first project. I want Kanye on my second album so I might not have aim’d high enough.

Lessons In Self Defense Album Cover
Yoh:One thing I can honestly say your outlook isn’t like most up & coming artist. You have a plan and if works out then you would be a great position. Now your coming from Sacramento,even though you don’t like working with local artist how do you feel about the hiphop scene in your city?
[/caption]
Recent Comments